Dance Artist 

In my current writing practice, I am exploring ways in which writing can be considered a choreographic hyperobject (a term coined by Timothy Morton in order to describe huge entities like climate change). I am interested in the how writing as a choreographic process can sit within and inform the wider ecology of interdisciplinary practice, and the ways that writing can move readers in the same ways that live performance can. 

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Most recent writing includes a piece co-written with fellow artist Erika Cann on geological-artistic practices, published by ecoartsscotland, November 2022. Click here to read the article. 

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I have written articles for, amongst others, The Society for Dance Research, Gather Up, Potlatch Magazine, The National Student Newspaper, Pulse Magazine, Shoppinghour/Silent City Collective: art as activism, Wears The Trousers Magazine, The Cultural Expose, Independent Dance, PAL labs, Bellyflop magazine.

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I keep an online archive of all my writing here - all sorts of thoughts and things.

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Below - a commission from Gather Up, Bristol, entitled Togetherness - writing in response to a workshop with Jo Fong, March 2019.